Category

Connoisseurship

Category

All the Beauty of the World. The Western Market for non-European. Artefacts (18th-20th century)

13-15 October 2016 Bauakademie am Schinkelplatz, Berlin, GERMANY In the wake of the Western expansion, a fast growing number of non-European artefacts entered the European market. They initially made their way into princely cabinets of curiosities. Made possible by the forced opening and exploit...

Continue reading ...

The Art Market, Collectors and Agents: Then and Now

Institut National d’Histoire de l’Art, Paris, FRANCE 20-21 October 2016 The focus of the conference is to explore the changing and complex nature of the role of agent in the art market during the Early Modern Period. Papers will explore shifts in the dynamics of the market, the changing...

Continue reading ...

British Models of Art Collecting and the American Response

Edited by Inge Reist, The Frick Collection and Frick Art Reference Library Series: The Histories of Material Culture and Collecting, 1700–1950 14 essays examine points of similarity and difference in the approaches to art collecting practiced in Britain and the United States. Unlike most of th...

Continue reading ...

Mariette and the Science of the Connoisseur in Eighteenth-Century Europe

Kristel Smentek Series : Studies in Art Historiography Celebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of...

Continue reading ...

Owning the Past Why the English Collected Antique Sculpture, 1640–1840

Ruth Guilding In a lively re-examination of the British collectors who bankrupted themselves to possess antique marble statues, Owning the Past chronicles a story of pride, rivalry, snobbery, and myopic obsession with posterity and possession. Analyzing the motives that drove “Marble Mania” ...

Continue reading ...

Enlightened Discourse in Art and Courtly Collecting Practices: Caroline Louise of Baden’s ‘Cabinet of Paintings’ in a European Context

Staatliche Kunsthalle Karlsruhe, GERMANY 10–12 September 2014 Caroline Louise of Baden (1723–1783) shaped the art collection of the margraves of Baden more than any other before or since. Her original collection included Dutch masterpieces of the 17th century and great works of French painti...

Continue reading ...

The Educated Eye? Connoisseurship Now

Paul Mellon British Centre for Studies in British Art, London, UK 2 May 2014 This one-day conference will address the issue of connoisseurship in relation to historic, modern and contemporary British art studies. Speakers from different sphere - art dealers, museum curators, conservators, art...

Continue reading ...

With the exhibition of Richard Feigen’s collection of Italian paintings, curator and expert Laurence Canter battles to bring connoisseurship back to the discipline of art history. Ted Loos reports

A dozen years ago the art dealer Richard L. Feigen attended an auction of European paintings at Sotheby’s in London and found a picture he liked: a richly colored scene of a religious vision, with a hovering saint and four angels, all topped by shimmering gold halos, that was attributed to a minor...

Continue reading ...

Paul Mellon Centre Conference: Salvator Rosa in Britain

Dulwich Picture Gallery, London, UK 18 October 2010 Session of note: Jenkins, Senior Curator, English Heritage (chair): Afternoon Session I [Cinzia Maria Sicca, Associate Professor of the History of European Art, University of Pisa: 'One of the most excellent Masters that Italy has produced i...

Continue reading ...