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Art Dealers

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Colloque Marchandes d’art (XIXe-XXe siècles)

Musée des Arts Décoratifs, Paris, FRANCE 13-15 November 2019 Les femmes ont occupé une place majeure dans la modernisation du métier de marchand d'art, progressivement remplacé par celui de galeriste. Laboratoires des avant-gardes, les enseignes dirigées par des femmes œuvrèrent à la déc...

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Luca Giordano: Catalogue Raisonné

In spite of the huge number of paintings by this artist in the Prado, Luca Giordano (Naples, 1634–1705) is seldom studied and is therefore little known to the public, who often do not see beyond the cliché of his prodigious speed of execution. The present volume sets out to remedy this lack of kn...

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Morgan: Mind of the Collector

Exhibition: 23 September-31 December 2017 Conference: 10-11 November 2017 Wadsworth Atheneum, Hartford, CT, USA Nearly 100 years ago, the Wadsworth Atheneum received an extraordinary gift of more than 1,350 works of art from the collection of financier J. Pierpont Morgan. These objects, an arra...

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Le collezioni degli artisti in Italia. Trasformazioni e continuità di un fenomeno sociale tra Cinquecento e Settecento

The British School at Rome (via A. Gramsci, 61) 22 June 2017 A cura di Francesca Parrilla e Matteo Borchia I sezione Linda Borean (Università di Udine): L’artista nel ruolo di collezionista nella Venezia barocca Cecilia Vicentini (Università eCampus/Università di Ferrara): Invent...

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MADE IN THE USA: Collecting American Art during the Long Nineteenth Century

Center for the History of Collecting, Frick Art Reference Library, NY, USA 3-4 March 2017 This two-day symposium focuses on collections of American art formed during the late eighteenth century through the early twentieth century and concludes with a conversation with Alice Walton, the greatest ...

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Private Collecting and Public Display: Art Markets and Museums

University of Leeds, UK 30–31 March 2017 The Centre for the Study of the Art and Antiques Market at the University of Leeds announces the international two-day conference exploring the relationship between the ‘private’ and ‘public’ spheres of the art market and the museum. This interd...

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All the Beauty of the World. The Western Market for non-European. Artefacts (18th-20th century)

13-15 October 2016 Bauakademie am Schinkelplatz, Berlin, GERMANY In the wake of the Western expansion, a fast growing number of non-European artefacts entered the European market. They initially made their way into princely cabinets of curiosities. Made possible by the forced opening and exploit...

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The Art Market, Collectors and Agents: Then and Now

Institut National d’Histoire de l’Art, Paris, FRANCE 20-21 October 2016 The focus of the conference is to explore the changing and complex nature of the role of agent in the art market during the Early Modern Period. Papers will explore shifts in the dynamics of the market, the changing...

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The Importance of Being Spitzer

The Frick Center for the History of Collecting in America, New York, NY, USA, 28 June 2016 American collectors at the turn of the 20th century eagerly sought out Medieval and Renaissance art once held in the collection of the notorious art dealer Frédéric Spitzer, 1816–1890. Paola Cordera,...

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British Models of Art Collecting and the American Response

Edited by Inge Reist, The Frick Collection and Frick Art Reference Library Series: The Histories of Material Culture and Collecting, 1700–1950 14 essays examine points of similarity and difference in the approaches to art collecting practiced in Britain and the United States. Unlike most of th...

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Knoedler and Company Exhibition Catalogs Now Digitized

The Metropolitan Museum of Art's Watson Library Digitization Initiative has digitized 898 catalogs and checklists published by Knoedler between 1869 and 1946. Knoedler & Company, established in 1857, was among the most important art dealers in New York City. Representing artists with an inter...

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“Raubkunst”

Vortragsreihe am Institut für Kunstgeschichte der Universität Leipzig, GERMANY Juni-Juli 2014 Durch das plötzliche Auftauchen der Sammlung Cornelius Gurlitt sowie durch den von George Clooney produzierten Hollywoodfilm Monument Men sind in jüngster Zeit wieder Themenfelder in die allgemeine ...

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The Educated Eye? Connoisseurship Now

Paul Mellon British Centre for Studies in British Art, London, UK 2 May 2014 This one-day conference will address the issue of connoisseurship in relation to historic, modern and contemporary British art studies. Speakers from different sphere - art dealers, museum curators, conservators, art...

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From The Vendome Press: Lost Lives, Lost Art: Jewish Collectors, Nazi Art Theft, and the Quest for Justice by Melissa Müller, Monika Tatzkow, with foreward by Ronald S. Lauder

Beginning in 1933, Jewish collectors were under extraordinary pressure from German officials to surrender their treasures - paintings, manuscripts, musical instruments, and all manner of objets d'art. Collectors reluctantly agreed to one-sided sales of masterpieces at ludicrously low prices in excha...

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The Van Gogh Museum, in association with the Huygens Institute have launched a digital edition of the letters of Vincent van Gogh

The letters are the window to Van Gogh's universe. This edition, the product of 15 years of research at the Van Gogh Museum and Huygens ING, contains all Van Gogh's letters to his brother Theo, his artist friends, Paul Gauguin, Emile Bernard, and many others. (...more at Van Gogh Museum website.....

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Minnie McIntyre reviews Richard Day’s Artful Tales: The Unlikely and Implausible Journal of an Art Dealer

A “smootherboy” (the self-congratulatory gang name adopted by public school- and Oxbridge-educated male staff at Sotheby’s), Richard Day entered the art world by putting together a small prints exhibition on Cork Street with the remaining £50 of his army earnings. As an evidently sociable...

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From Marsilio Editore and Fondazione di Venezia: Il collezionismo d’arte a Venezia. Il Settecento. Linda Borean and Stefania Mason, eds.

Questa pubblicazione, la terza di una collana specificatamente dedicata al collezionismo artistico a Venezia in età moderna, prende in esame il Settecento, il secolo definito della "gloria" di Venezia, particolarmente ricco e articolato per l'evoluzione del gusto e degli orientamenti del fenomeno, ...

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With the exhibition of Richard Feigen’s collection of Italian paintings, curator and expert Laurence Canter battles to bring connoisseurship back to the discipline of art history. Ted Loos reports

A dozen years ago the art dealer Richard L. Feigen attended an auction of European paintings at Sotheby’s in London and found a picture he liked: a richly colored scene of a religious vision, with a hovering saint and four angels, all topped by shimmering gold halos, that was attributed to a minor...

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Facts & Files, Historisches Forschungsinstitut Berlin to publish Galerie Heinemann archive

Founded in 1872, the Munich based Galerie Heinemann was one of the most important German art dealing companies until it got "aryanized" by the National Socialists in 1938. In 1972, the Heinemann family gave the remaining business records of the gallery to the Deutsches Kunstarchiv at the Germanis...

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Jacques Seligmann & Co. records at the Archives of American Art now online

Jacques Seligmann & Co., Inc., was counted among the foremost French and American art dealers in antiquities and decorative arts and was among the first to foster and support the growth and appreciation for collecting in the field of contemporary European art. The company's clients included most...

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From Akademie Verlag: Ein Händler “entarteter” Kunst: Bernhard A. Böhmer und sein Nachlass (Meike Hoffman, ed.)

Bernhard A. Böhmer (1892–1945) gehörte zu den vier Kunsthändlern, die mit dem Verkauf der 1937 in deutschen Museen als "entartet" beschlagnahmten Kunstwerke beauftragt waren. Dokumente weisen jedoch darauf hin, dass bei Böhmer in Güstrow nicht nur die offiziell über ihn "verwerteten" Kunstwe...

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John Zinsser: Art Dealer Archipelagoes

James Graham & Sons, New York, NY, USA 20 November 2009 - 5 January 2010 These imagined maps—colored renderings made in painstaking detail—reflect the John Zinsser's longstanding interest in New York galleries and their role in recent art history. Here, they're presented installation-sty...

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